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An Orchestra Where Female Composers Are the Rule, Not the Exception

The River Oaks Chamber Orchestra.

Image: Joel Luks

Alecia Lawyer sees the current River Oaks Chamber Orchestra season as something of a teaching moment.

“Earlier this year, I read something about how two of the largest symphonies in the country—Philadelphia and Chicago—had seasons with no female composers on them,” says Lawyer, ROCO’s founder and artistic director. “When I realized that we did, I thought it might be an opportunity for a larger conversation.”

Hence two ROCO events that shed light on the talents of women working in the arts. The first, “Concert and Conversation,” features selections by female composers presented alongside a panel that dissects the role of women in arts leadership. The second, “Queen of Hearts,” is a more complete program of pieces by female composers.

Taking part in the discussion will be Lauren Anderson, of the Houston Ballet, Christine West from Houston First, Fleurette Fernando with the UH Masters in Arts Leadership program, Pia Agrawal of the UH Cynthia Woods Mitchell Center for the Arts, conductor Mei-Ann Chen, and composer Heather Schmidt. Chen is conducting the Saturday evening concert, where one of Schmidt’s works will be presented.

“I think it ought to be a lively discussion,” says Lawyer.

The full concert features four works: Anna Clyne’s Within Her Arms, Louise Farrenc’s Symphony No. 3, Ruth Gipps’ Seascape, and the world premiere of Heather Schmidt’s Solitaire.

“Anna Clyne is such a Renaissance woman,” says Lawyer, “and we commissioned Solitaire from Heather. I’ve followed her work for 20 years, and I just love seeing how she’s morphed as an artist. Solitaire is lush and interesting; it’s really a fascinating ride.”

One of the things Lawyer wants audiences to experience is the idea that great art is great art.

“We want to normalize the idea that there are these wonderful works by women out there and they deserve our attention,” she says. “So, it’s not just a composition by a woman, but that it’s a great composition that needs to be included in the classical canon.” 

That’s always been a part of ROCO’s mission, and nearly all of the organization’s concerts feature works by women. In addition to showing what women are doing and have done in the genre, Lawyer feels it’s also a way to reflect Houston.

“We’re one of the most diverse cities in the country,” she says, “and we should have programming that reflects that.”

Nov. 16 and 17. Tickets from $25. Multiple locations. More info and tickets at roco.org.











Holly Beretto
Holly Beretto
Holly Beretto has been a regular contributor to Houstonia since 2014, covering the arts, books, education, retail, and food. She is the author of Christ as the Cornerstone: 50 Years of Worship at St. Michael the Archangel Catholic Church. You might see her bylines in other publications, including 365ThingsinHouston.com, CultureMap, Houston Chronicle, Los Angeles Times, and the Texas Catholic Herald. Her work has also been featured in ASU Magazine and Santa Clara Magazine.  Holly has a master's in communication with an emphasis in journalism from St. Louis University and a bachelor's in mass communication and a minor in professional writing from Franklin Pierce University, where she served as Pierce Magazine’s editor-in-chief. Her career spans nearly every facet of communications and marketing, including television news production, event planning, media and public relations, non-profit marketing and communication strategy, and corporate storytelling. She also has an expertise in wine (Holly worked as a wine steward for 10 years at Central Market, and is always available to help with the perfect pairing). An avid bookworm, Holly enjoys British murder-mystery TV series, tiki drinks, spending time with loved ones, and cruising the world with her husband, the love of her life.